By Ghita Loebenstein
This time last year, Jason Reitman was feeling just a little nervous. His first film, Thank You for Smoking, had debuted well at the 2005 Toronto International Film Festival, sold in a bidding war and done nicely at the box office. In Juno, he knew he had a solid comedy with a distributor attached, but he wasn’t too sure howit would be received.
“I thought it would be this sweet independent film about teen pregnancy and have a similar success to Thank You for Smoking,” says the Montreal-born filmmaker on the line from his Los Angeles office. But the...
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