By Neil Karassik
An energetic celebration of the medium of cinema, this year’s Wavelengths programme offers a remarkable collection of films devoted to formal rigour and sheer experimentation with the medium. This past June, however, Andréa Picard, the Festival’s astute Wavelengths curator, had a lot to be nervous about. Viewing over 500 experimental films can certainly make one’s head spin, and the intensely subjective nature of such works adds pressure to an already daunting position. But if anyone is capable of gracefully tackling the burden, it’s Picard, who recognizes the need to step back and let it all sink in before...
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