By Tammy Stone
People do not generally assume that a grape would be tastier if it was as big as a watermelon, or that a child’s plastic craft table should accommodate a royal family dinner. Similarly, in the arts, no one asks if a haiku could benefit from a few extra syllables, or wonders if the Mona Lisa might have more impact if it were as big as Jackson Pollock’s Lavender Mist.
For some reason, this same sensible logic does not apply in the world of cinema, where more often than not, short films are defined by what they are not: in...
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